I count 1995 or so as the year that I decided to photograph butterflies. Life had always found me marching to my own drummer, and childhood had seriously taught me to learn the hard lesson of loneliness. Fortunately, I had the tools to make it on the streets of that Brooklyn, and I alway knew I could love, deeply.
Butterflies have occupied my mind and imagination since, and happily, that enthusiasm has not lessened. With Spring around the corner here in middle-Georgia, I spend much time thinking of where, what and which butterflies I would like to meet and re-meet. I’ve learned to reckon with limitation$ and to embrace the realization that I am one beat less than Ansel Adams and his ilk.
These decades have me thinking of Big questions, when I am in the field and when I am like here, at my 27″ iMac screen examining my craft work.
Large among the questions that visit me is this one. Why do I embrace, Love, images of certain butterflies? I easily include here: Coppers, Hairstreaks, Mourning cloak, Tortoiseshells, the Monarch, Common Mestra, Satyrs and the Alpines (though I’ve never seen one)?
I know, intellectually that this White Peacock butterfly, shot in the National Butterfly Center, the one near the border wall, is magnificent. Yet I am not excited when I’ve seen them, there’s no enthusiasm there. Add to that the Yellow butterflies, the White butterflies, the Checkerspots, Crescents, Ladies and the Skippers.
For a guy who has been thinking, deeply, since he was back there a 5-year old. I have not yet teased apart the reason for this ambivalence about this magnificent butterfly, the Peacock. A puzzle that. Yes?